Changelog

0.17.0 – 2025-09-20

Added

• works: WerW B.S12
• incipits and metadata for WerW B.6/19/49/60/68, C.2, D.4.5, D.5.4/S2, E.4, F.1/35/36, G.8, H.1.17, H.2.2, I.1.5, I.2.5, I.3.23, I.4.47, I.5.3, J.4, K.1, M.14, N.3, O.8/9, and Q.1
• sources:
  • A-Ee: KIR 197, 1957, 1960, 1968, 1970, 1972, 1975, and 1977 (comprising single parts that were once removed from H-Bn sources)
  • A-Wn: F100.Moder.36
  • H-Bn: Ms. Mus. 179 (to be added)
• references: Hoboken (1957), Kim-Szacsvai (2022), Motnik (2009), and Škulj (1992)
• acknowledgements for A-Ee
• catalogue HarBu (Hárich, 1932)
• scribes Eisenstadt 1, Heiligenkreuz 1, and Thonner A/B
• a list of scribes, including writing samples for Eisenstadt 1, Heiligenkreuz 1, Istvánffy, Kraus, Thonner (A), Thonner (B), Sehling, and Werner
• an instrument abbreviation vla amabile
• ARKs for full scores
• concordances for Hárich (1932) and Winkler-Klement (2013)
• incipit header: macros \aDue, \aTre, and \aQuattro

Changed

• merged WerW D.5.4 to C.2
• renumbered WerW I.4.53 to L1 and 54–56 to 53–55
• revised metadata for WerW B.7/23/26/33/35/64, E.1/28/34, G.2/3/6/10/17, H.1.7/9/11, I.1.2/4/8/13/26, I.2.6/8/12, I.3.6/15/S1, I.4.9/15/16/35/41, I.4.2, I.5.7/10/13/23, J.3, and M.22
• PetWe numbers now have prefixes “P” and “V” for pastorellas and vocal works, respectively.

Fixed

• In dark mode, incipits, tables, inline code, time signatures, and ees links are now displayed correctly.
• Source A-GÖ 652 has been correctly assigned to WerW B.11 (previously: B.12).
• WerW M.17–22 and P.4–9: A-Wgm IX 8288 was previously classified as print, but is actually a manuscript copy. A source description has been added.
• HarIn numbers for WerW E.16/L16–18/L20/L21/L24/L26/L27
• Performances on A-HE sources are now correctly located in Neukloster.
• In all MEI metadata, the language of titles “Kyrie/Christe [eleison]” is now Greek.
• In all MEI metadata, ISO dates that only comprise are year now only contain this year (previously: 1st January of this year, e.g., 1750-01-01).

Removed

• several A-El sources (56808, 56809, 56810, 56814, 57477, and 57478) that are actually modern prints

0.16.0 – 2025-07-27

Added

• incipits and metadata for WerW B.5/32/75, D.1.14, D.2.9, and O.7
• sources: H-Bn Ms.mus.IV 2.166 (3–5)
• reference: Fukač (1959)
• acknowledgements for A-El, CZ-Bm, D-As, D-Mbs, F-Pn, Brinzing, Gruber, Hilscher, Mikusi, and Weinhäusel
• support for several movement/section titles in MEI metadata
• concordances for historic (Brtnice inventory, ca. 1750; Esterházy inventory, 1812/13, 1805; Sauer, 1809) and modern inventories (Bárdos, 1976, 1980, 1980; Rostetter, 2023)
• an instrument abbreviation “[?]” (unknown scoring, UNIMARC mun)
• a genre overture
• a siglum US-Wc

Changed

• Chunks in QMD files are now named.

Fixed

• All <altId> tags now comprise a type attribute.

0.15.0 – 2025-06-29

Added

• incipits and metadata for WerW B.8/67, D.2.8, D.4.3, D.5.1, E.3, F.33/34, G.4, H.1.1, H.2.10, I.1.3, I.2.3, I.3.2, I.4.2, I.5.2, N.1, O.6, and P.2
• sources: A-Wn F100.Moder.9, 14, 139, and 156–162
• work numbers in Reichert’s catalogue of masses (Reichert, 1935)
• instrument abbreviations tr and vl princ
• a link to the poster presented at the IAML 2025 Conference
• util_make_events.R: support for venue

Changed

• updated metadata and incipits for WerW D.4.1/2/4, F.59, I.3.1, and N.2/15
• URL of development version now supports HTTPS

Fixed

• table for Fonds Moder (previously, work links were messed up)

0.14.0 – 2025-05-25

Added

• works: WerW G.L2 and H.1.L1
• incipits and metadata for WerW B.29, D.1.13, and O.5
• sources:
  • A-Wn: Fonds Moder 8, 13, 22, 33–35, 51–55, and 66
  • A-Z: lost textbooks (assigned to sources)
  • F-Pn: MS-2232 (WerW I.4.16)
  • H-Bn: lost textbooks (assigned to sources)
• references: Hárich (1959)
• editions: Narkmun (2024a), Narkmun (2024d), Narkmun (2024c), Paparozzi (2021), and Warner (1965b)
• acknowledgements for H-Bn and Haydneum
• WerW M.24: shelfmark for source in A-SEI
• a siglum A-Wdtö for sources in the archive of the Denkmäler der Tonkunst in Österreich
• support for a list of hands (scribe, medium, type) in MEI metadata
• support for a list of performances (date, venue, place) in MEI metadata
• an appendix “Prints” that contains a table with all known modern editions
• links to the Klostermusiksammlungen database for A-GÖ and A-KN sources
• scripts:
  • check_mei_consistency.R for manually checking consistency across metadata files (list of hands, title, tempo)
  • check_rism_entries.R for comparing RISM entries in the catalogue to entries in the current RISM database
  • util_make_events.R for creating <event> elements from a list of performance dates/places (since it is cumbersome to enter long lists of performances in MerMEId)

Changed

• WerW M.S1 has been renumbered to M.24; consequently, former WerW M.S2 is now M.S1.
• WerW D.2.L7 has been merged to D.1.13.
• Group I has been renamed (again) to “Marian antiphons”.
• Genres in metadata now adhere to the UNIMARC codes for musical forms. Notably, the terms “rorate” (now “introit”), “Marian antiphon/hymn” (now “antiphon”), “profane vocal music” (now “cantata”), and “te deum” (now “hymn”) have been removed.
• WerW G.S1: Metadata now contains all A-SEI performance dates.
• updated metadata for A-Wgm sources of WerW B.23, I.1.13, and M.24
• updated the favicon and title block banner background
• A warning is now issued for unknown RISM sigla.
• Fugues 1, 5, and 6 in H-Bn Ms. mus. IV. 2.166 have been assigned to their respective works.
• get_mermaid_xml.sh now
  • fixes <ref> elements, i.e., it removes the label and target attributes and, if missing, adds targettype="pandoc-citation"; and
  • adds a type="ark" attribute to <altId>.
• error() now has an argument strict which decides if the current R session should terminate.

Fixed

• svg_process_ly.sh again creates correctly-sized SVG incipits (was broken by pdfcairo update in poppler 25.04).
• WerW G.8 is now correctly entitled “Litaniae de venerabili sacramento”.
• Source descriptions now contain no empty bullet points.
• The hand-written sources of WerW O.1–12 are now only assigned to their actual works.

0.13.0 – 2025-04-18

Added

• manual incipits and metadata: WerW D.1.12, D.2.1, D.4.2, D.5.S3, E.2, F.4/41/S1, G.1, H.1.4, H.2.1, H.3.1, I.1.23, I.2.2, I.3.3/S1, I.4.9, I.5.16, J.6, N.15, O.3/4, P.10, and Q.S1
• sources:
  • A-KN: D-I-614a-03 and 29
  • A-Wst: A-14984
  • D-As: 4 Tonk 1513
  • H-Bn: Ms. mus. IV. 2.166
• references: Dlabač (1815), Neuhuber (2020), Perutková (2022), Schindler (1967/69), Tank (1981), and Winkler (2010)
• acknowledgements for A-Wst, CZ-Pak, H-Gk (updated), J-Tma, and Pernerstorfer
• Archival Resource Keys for each catalogue entry and MEI file, including the ?info inflection that links to Dublin Kernel metadata
• citations of all known modern editions (editions.bib)
• a .htaccess file that redirects ARKs to the resolver http://ark.esser-skala.at
• a post-render script post_render.sh that copies metadata files to the output folder
• info on uncatalogued funds in CZ-Bm
• a check that the targettype attribute of the <ref> tag in a bibliography item has the correct value
• a function summarise_loglevels() that prints the total number of errors and warnings in the logfile

Changed

• get_mermeid_xml now adds the ARK as <altId> tag and reads the catalogue of works prefix from config.yml. Thus, it now requires only a single argument.
• The log file is now saved in the folder data_generated.

Fixed

• Publisher locations are now separate fields in the BibTeX file.

0.12.0 – 2025-03-08

Added

• works: WerW B.S9, I.1.L1, and O.S1
• manual incipits and metadata: WerW B.46, D.2.11, F.31/59, G.3, H.1.7, H.2.9, I.1.8, I.3.6, I.4.4, I.5.19, M.23, and O.2
• sources:
  • A-KN: 73/3
  • A-KR: 48/9
  • A-Wgm: I 35469/1+2, I 73643, IX 73837, and VII 23528/1–3
  • A-WIL: 2304
  • A-Wn: F100.Moder.7, 12, 21, 31, 32, 46–50, 56–65, 75, 85/1, 99, and 100
  • A-Z: I/174, I/175, I/187, and IV/38
  • F-Pn: MS-2231
• references: Czernin (2020), Horváth & Holubicová (1971), Kim-Szacsvai (1998), Klosterneuburg inventory C (1815), Maillard (1999), Neumayr & Laubhold (2018), Robbins Landon (1977), Sauer (1809), and Schreiner (2001)
• acknowledgements for A-Gdab, A-KR, A-Wdp, RUS-Mrg, SK-BRm, US-NYp, Armstrong, Grosch, Größinger, Narkmun, Perutková, and Stadler
• a section describing works not yet catalogued
• methods now mention the number of works in RISM that have been included
• WerW B.1: details on source H-Bn Mus.ms.III.14
• WerW B.35: details on source H-Gk AMC, Miss. 10.
• WerW B.65: shelfmark in CZ-Bm
• WerW L.1/2: shelfmarks in A-Wst and GB-Lbl
• WerW M.17-22/P.4-9: shelfmark in F-AG; infos on chronogram; dimensions of the print
• WerW M.S1: shelfmarks in RUS-Mrg and US-NYp; dimensions of the print
• WerW O.1–12: shelfmarks in A-KR and D-LI
• WerW P.3: information on 3rd movement
• appendix: more copies of foreign works
• info on Moder’s Teilnachlass at the University of Salzburg

Changed

• WerW numbers are now considered stable and citable.
• A source for WerW D.2.L8 has been discovered; thus, the work has been reclassified as WerW D.2.11.
• The following works have been renumbered: WerW B.24–28 → 72–76, 29 → S10, 30 → S11, 31–78 → 24–71; B.71 → 68, 74 → 69, L10 → 70, 68–70 → 71–73, 72/73 → 74/75, 75/76 → 76/77; D.4.5 → 7, 6 → 8, 7 → 5, 8 → 9, 9 → 6; D.5.2 → S3, 4 → S4, 5 → 4, 6 → 2; F.62 → S1, 63 → 62; and I.1.S1 → S2, 26 → S1, 27–31 → 26–30.

Fixed

• incipits of WerW B.S7/S8 and I.1.S1
• shelfmarks A-Ed A 68 and A 69
• WerW B.1 and H.1.16: corrects classification of A-HE sources

0.11.0 – 2025-01-18

Added

• works: WerW B.L10, D.3.S3, and D.5.L2
• manual incipits: WerW A.12, B.35, D.1.9, D.4.9, D.5.L2, E.28, and O.1
• metadata: WerW A.12, B.35, D.1.9, D.4.9, E.28, and O.1
• sources:
  • A-Wgm: Dopf’s scores (I 59590–59639), I 35470, VI 37991/1+2, and VII 35473
  • A-Wn Mus.Hs.2120
  • D-B Mus.12727
  • H-VEs Hymnus 112/c (1–6)
• remaining entries in HarCa
• references: Erdmann (2014) and Hochradner (2016)
• a macro \part to the incipit header
• support for text incipits and roles in movements
• acknowledgements for A-SB, H-Gk, and H-VEs
• appendix:
  • concordances of previous catalogues to WerW
  • list of known copies of foreign works

Changed

• WerW C.4 has been reclassified as C.S3. Thus, WerW C.S3 has been renumbered to C.S4.
• Main incipits are now numbered consecutively.

Fixed

• incipit order for more than nine incipits

0.10.0 – 2024-12-14

Added

• works: WerW D.4.9, I.5.27, P.10, and P.L8/L9
• manual incipits for WerW B.23/71, D.1.1/4, D.2.10, F.2/3/32, G.17, H.1.14/16, I.1.4, I.2.17, I.3.1/22, I.4.50, I.5.13, and M.18–22
• metadata for WerW B.23/71, D.1.1/4, D.2.10, D.5.4/5/7/S1, F.2/3/8/15/16/18–20/32/42/60/61, G.2/6/10/17, H.1.8/9/11/14/16, I.1.1/2/4/13/27/30/31, I.2.4/6/8/12/15–17, I.3.1/7/10/15/21/22, I.4.7/15–17/35/41/45/46/50/S1, I.5.5/7/10/13/23, J.2/3, M.17–22/S1, O.13, and Q.2–4
• sources:
  • WerW I.3.21: H-K Ms.748/a
  • WerW B.71: A-HE VIII a 6 and D-OB MO 312
  • Fonds Moder: 6, 11, 20, 29/1-7, 30, 37-45
  • copies in A-KN
• the identifier HarCa, which is Hárich’s unfinished catalogue of works in A-Wgm (currently only for masses)
• support for prints and lost sources in metadata
• support for a repository name instead of a RISM siglum in the source location
• references: Armstrong (2004), Bárdos (1976), Bárdos (1980), Bárdos (1984), Chase (2003), Esterházy inventory (1805), Esterházy inventory (1812/13), Hansell (1968), Harman (1968), Herzogenburg inventory (1751), Herzogenburg inventory (1774), Klosterneuburg inventory B (1831), Müller (1911), Narkmun (2024b), Preisl (2022), Prominczel (2012), Radant (1982), Rheinfurth (1977), Rostetter (2023), and Weinmann (1978)
• a detailed description of previous efforts to create a thematic catalogue
• metadata validation:
  • consistency between CSV and MEI (work title, references, identifiers, sources)
  • link label of source location, genre, and classification terms are from a vocabulary defined in data/config.yml
  • number of bars in sections sum up to number of bars in movement
  • scoring of sections (movement) sums up to scoring of movement (work)
  • instrument abbreviation corresponds to UNIMARC term
  • source title matches presentation and authority term
  • all movements are numbered and sections are not
  • there are no incipits in sections
• a link to the modern EES edition of a work (if available)
• an appendix Inventories, which contains tables describing Hárich’s catalogue and the Fonds Moder
• acknowledgements for A-H, A-KN, A-MB, A-Wgm, A-Z, D-OB, H-K, and Hilscher
• the macro \hA to the incipit header
• shelfmark subnumbers to hymn collections in A-KN, H-Gk, and H-VEs
• catalogue.log, which contains the log file
• data/instrument_abbreviations.csv, which describes UNIMARC instrument abbreviations
• data/library_sigla.csv, which describes RISM library sigla
• data/fonds_moder.csv, which contains an inventory for the Fonds Moder

Changed

• Sources are now formatted as table with one row for each source type (autograph, manuscript …).
• Meters are now printed as SVGs from LilyPond’s Emmentaler font.
• Source components are now rendered as itemized list.
• WerW H.2.12 has been merged to H.1.16 (5th movement).
• WerW I.2.23 has been merged to I.2.22. Thus, WerW I.2.24 has been renumbered to I.2.23.
• WerW I.3.L1 has been reclassified as I.3.S1, with source A-Ee N0226.
• WerW D.3.2 has been reclassified as D.3.S2. Thus, WerW D.3.3–8 have been renumbered to D.3.2–7.
• WerW D.5.3 has been reclassified as D.5.S2. Thus, WerW D.5.4–7 have been renumbered to D.5.3–6.
• The XML processing script (renamed to get_mermeid_xml.sh) now downloads files from the eXist-db database and validates them against the mei-CMN schema.

Fixed

• References in metadata are (again) encoded with a <ref> element to conform with the MEI schema.
• description of HarIn in guidelines (prefixes were swapped)

0.9.0 – 2024-10-12

Added

• works: WerW B.78/S7, G.S2, and P.L4–7
• manual incipits for WerW B.54, D.2.7, G.S1, H.2.11/12, and N.2
• metadata for WerW B.54, D.3.1/3–7/S1, D.2.7, G.S1, H.2.11/12, and N.2
• all missing short incipits (except for oratorios)
• sources:
  • fonds Moder: 3–5 and 10 (checked); 19, 25, 28, 29/2, 49, 54, 85/5, 102, 158/6, 160, and 120 (from Winkler-Klement (2013); still need to be verified)
  • A-SEI: E VIII 3 e and f, FXXI 6 a and b, F XXII 7 a and b
• references: Baker (2013), Bogati (1936), Brtnice inventory (ca. 1750), Czernin (2018), Farkas (1994), Jones (1996), Lindner & Petermayr (2010), Moder (1985), Pausch (1975), Rempe & Richter (1991), Rovátkay (2005), Schlader (2019), Somfai (1963-1964), Stein (1957), Straková (1963), Straková (1965), Walter (1976), and Warner (1965a)
• acknowledgements for A-Sd, A-SEI, A-WIL, A-Wps, and H-P
• support for (modern) editions in the bibliography of work details
• a check for running catalogue of work numbers
• export of a table that lists all works (data_generated/work_list.xlsx)

Changed

• XML syntax for references in MEI metadata now accomodates both normal references and modern editions.
• WerW numbers and RISM IDs in metadata text are now formatted as hyperlinks.
• WerW M.24 has been renumbered to M.23.
• Group H (“Vespers”) has been renamed to “Vespers and psalms”.
• WerW D.4.7 has been split into D.4.7. and D.4.8.
• WerW G.22 has been reclassified as spurious work and thus has been renumbered to G.S3.
• WerW I.1.30 has been reclassified as spurious work and thus has been renumbered to I.1.S1. Accordingly, I.1.31/32 have been renumbered to I.1.30/31.
• WerW I.5.11 and 13 have been merged. Consequently, I.5.14-27 have been renumbered to I.5.13-26.
• Guidelines now also specify where to put performance dates.
• In the work details, the work description is now printed below the bibliography.

Fixed

• If the bibliography in work metadata is empty, it is now completely omitted from the printed work details. (Previously, a dash was printed.)

0.8.0 – 2024-09-08

Added

• manual incipits for WerW B.1/7/33/38/40/42/47/51/52/58/S6, B.48 (Agnus Dei), D.1.8, D.3.7, E.34, J.S1, K.3, and P.3
• metadata for WerW B.1/7/33/38/40/42/47/48/51/52/58/70/S6, C.S3, D.1.5–8/10/11, D.2.5/6, D.3.7, E.1/34/38/S1, J.S1, K.3, and P.3
• new sources for WerW I.3.3 (A-Wn F100.Moder.1/2), I.3.21 (A-Wn F100.Moder.2), I.5.20 (A-Wn F100.Moder.1/1), and P.S1 (St Peter inventory)
• a macro \hy to the LY incipit header, which prints a hyphen in lyrics
• a macro \skips to the LY incipit header, which skips notes for lyrics
• Identifiers in works details are now links to the respective reference.
• The following metadata fields are now also supported and thus included in the work details: several work titles, genre, general notes on the work level, number of voices in vocal ensemble, roles, and notes for movements.
• acknowledgements for A-GÖ
• information on currently undiscoverable A-HE sources (WerW G.11/14, I.4.2/53, and J.3)

Changed

• The XML preparation script now converts and renames all XML files in the folder. It requires a first argument which corresponds to the catalogue of works abbreviation. Thus, WerW_B_1.xml is processed and renamed to B_1.xml.
• Parameters for R scripts are now in a YAML file (script/config.yml). Thereby, only this file has to be changed if the code base is reused for different projects.
• Group C has been renamed (Requiems, Libera -> Requiems). Accordingly, WerW C.5 has been renumbered to D.3.6, which has shifted former D.3.6/7 to D.3.7/8.
• WerW B.75 has been reclassified as spurious work and thus has been renumbered to B.S6. Accordingly, WerW B.76–78 have been renumbered to WerW B.75–77.
• WerW D.1.5 has been reclassified as offertory and thus has been renumbered to D.2.6. Accordingly, the following works have been renumbered: WerW D.1.6–17 to 5–16, and D.2.6–9 to 7–10.
• WerW D.1.8 has been renamed and thus could be merged with D.2.L7. Accordingly, WerW D.2.L8/9 have been renumbered to D.2.L7/8.
• WerW J.6 has been reclassified as spurious work and thus has been renumbered to J.S1. Accordingly, WerW J.7 has been renumbered to WerW J.6.

Fixed

• identifiers in metadata of WerW B.46 and Q.2
• Ensembles are now correctly sorted (soli always before coro). Moreover, the soli ensemble is renamed to solo if only a single voice participates in a movement.

0.7.0 – 2024-07-30

Added

• manual incipits for WerW B.48, F.19/20/43, I.1.1, I.2.4, I.4.35, and Q.4.
• additional MEI metadata: dating, bibliography, and notes
• references: Kiesewetter (1847), Mayer (2020), Meyer (2020), Mitterschiffthaler (1979), Paczkowski (2019), Pernerstorfer (2020), Petermayr (2015), Petermayr (2022), Pohl (1875), Rovátkay (2020), Schlader (2020), Schubert (2007), Sherman (2001), Štefan (1985), Zelenka (1739), and Petermayr’s draft catalogue of works
• The catalogue now also comprises spurious and lost works (with incipits where known).
• The catalogue now comprises four reference columns: HarIn (Hárich, 1975), PetWe (Petermayr, 2015), PetSi (Petermayr, 2020), and WinMa (Winkler-Klement, 2020). These are linked to the bibliography.
• The overview table now includes the number of total, ascertained, lost, and spurious works in each group.
• A new chapter now describes the scope of work metadata. This chapter complements the more technical guidelines, which have thus been moved to the appendix.

Changed

• Partitas from the Instrumental-Calender now have separate entries WerW O.1 to O.12.
• Accordingly, WerW O.2 was renumbered to O.13.
• Incipits are now always displayed in SVG format (white background with rounded corners), which greatly improves their appearance on high-resolution displays.
• If MEI metadata is available for a work, all data displayed on the group page are taken from this file.
• Incipits are now specified without file extension in MEI files.
• Work details are now wider to accommodate wide tables.
• The following groups were renamed: E (German church arias -> German sacred music), I (Marian antiphons -> Marian hymns), and L (Profane cantatas -> Profane vocal music).
• The bibliography now appears on a separate page.

Fixed

• Parsing of dimensions in MEI metadata is now more robust.

Removed

• data/incipits A-KN.odt and
• scripts/make_rism_tables.R (both files are now obsolete)

0.6.0 – 2024-07-13

Added

• acknowledgements
• conversion of MEI metadata to markdown, so that work details are now included on the group page in a collapsed callout block

Changed

• guidelines
• incipits for WerW B.46 are now in LY format

Fixed

• generation of only necessary RISM incipits (previously, all RISM incipits were rendered since they were still named “main”)

Removed

• HTML files exported from MerMEId
• prepare_mermeid_html.sh, since that script became obsolete

0.5.0 – 2024-06-30

Added

• manual incipits for WerW B.70, D.1.11, D.5.5, G.6, I.4.41, J.12, M.17–22, P.4–9, Q.3, Z.9
• export of a table with works grouped per library

Changed

• For works with several movements, the group page now displays one incipit per movement.

0.4.0 – 2024-06-16

Added

• manual incipits for WerW C.5, D.3.4, D.5.4/7, E.1/38, F.15/16/18/60/61, G.2/10, H.1.8/9/11, I.1.2/13/27/31/32, I.2.6/8/12/15/16, I.3.7/10/15/21, I.4.15-17/45/46, I.5.5/7/10/24, J.3, N.2, O.2, and Z.5/6/15–17
• group H.3 (magnificats)
• work D.3.6
• sitemap, which is indexed by Google
• reference Hárich (1932)
• changelog as webpage

Changed

• rendering of incipits, so that all of them have the same size
• clicking on an incipit opens the full-score incipit as lightbox
• work numbers
  • D.3.6 -> D.3.7
  • E.38 -> Z.17
  • E.39–41 -> E.38–40
• appearance of the index, with title block banner
• works list CSV now contains full RISM IDs for distinguishing works with same shelfmark
• technical workflow:
  1. assemble catalogue
  2. create RISM PAE incipits
  3. use GNU Make for engraving all incipits
  4. prepare pages

Fixed

• work titles, notably of oratorios

Removed

• column ‘key’ in works list CSV

0.3.0 – 2024-05-12

Added

• support for LilyPond incipits
• details for WerW D.1.2 to D.1.4 and Q.2
• bash scripts for MerMEId HTML and XML post-processing
• favicon

Changed

• format of group page (now only contains incipit and sources)
• format of work details page (lightbox support for incipit images)
• work numbers: D.2.9 -> Z.16, D.2.10 -> D.2.9
• updated guidelines

Removed

• column ‘ID’ in works list CSV

0.2.0 – 2024-03-17

Added

• guidelines for compiling metadata
• catalogue abbreviation “WerW”
• page with overview table
• references: Riedel (1979) and Hárich (1975)
• links to work detail pages
• manual incipits for WerW B.46, D.2.9, G.22, O.2, Q.2, Q.3, and Q.4
• MEI metadata for WerW B.46

Changed

• group page and incipit generation
• catalogue is now provided in CSV format

0.1.0 – 2024-02-25

Added

• initial release

Armstrong, J. I. (2004). Towards a history of the Eisenstadt castle sacred music archive. In G. Feder & W. Reicher (Eds.), Internationales musikwissenschaftliches Symposium „Dokumentarische Grundlagen in der Haydnforschung“ Eisenstadt 2004 (Eisenstädter Haydn-Berichte Band 5) (pp. 107–141). Tutzing: Hans Schneider.

Baker, M. (2013). A study in phrase rhythm: Werner’s “Curious musical calendar”. The Musical Times, 154(1923), 59–70. Retrieved from https://www.jstor.org/stable/24615675

Bárdos, K. (1976). Pécs zenéje a 18. században . Budapest: Akadémiai Kiadó.

Bárdos, K. (1980). Győr zenéje a 17–18. században. Budapest: Akadémiai Kiadó.

Bárdos, K. (1984). Sopron zenéje a 16–18. században. Budapest: Akadémiai Kiadó.

Bogati, A. (1936). Gregor Josef Werner. Burgenländische Heimatblätter, 5, 2–4.

Brtnice inventory. (ca. 1750). Inventario per la musica. Manuscript, CZ-Bm G 84. Retrieved from https://www.manuscriptorium.com/apps/index.php?direct=record&pid=AIPDIG-MZM___G_84________0F2M953-cs

Chase, R. (2003). Dies Irae. A guide to Requiem music. Lanham–Maryland–Plymouth: The Scarecrow Press, Inc.

Czernin, M. (Ed.). (2018). In monte oliveti, Tristis est anima: Curriculum design & development Handbook: Joint master programme on Early music small vocal ensembles [Score]. Bucharest: Editura Universităţii Naţionale de Muzică Bucureşti.

Czernin, M. (2020). Ausgaben von gedruckten Werken Gregor Joseph Werners. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 517–536). Eisenstadt: Amt der Burgenländischen Landesregierung.

Dlabač, B. J. (1815). Allgemeines historisches Künstler-Lexikon für Böhmen und zum Theil auch für Mähren und Schlesien (Vol. 3). Prag: Gottlieb Haase.

Erdmann, G. (2014). Johann Joseph Fux. Sämtliche Werke. Serie VI – Instrumentalmusik. Band 6. Graz: Akademische Druck- und Verlagsanstalt.

Esterházy inventory. (1812/13). Anton Prinster: CATALOGUE raisonné des Vêpers, des Litanies, des Te Deum des Hymnes des Miserere qui se trouvent dans les archives de Musique d’eglise de Son Altesse Sérenissime Le Prince Regnant Nikolas Esterházy. Manuscript, A-El 56099. Cited after Armstrong (2004) and Radant (1982).

Esterházy inventory. (1805). Anonymous 11: Verzeichniß Aller Solennen, und Ordin: Meßen welche sich bei der hochfürstlich Esterházischen Kapelle zu Eisenstadt befinden. Manuscript, A-Ee (formerly Burg Forchtenstein, CD 2368/805). Cited after Armstrong (2004); formerly attributed to Johann Nepomuk Fuchs.

Farkas, Z. (1994). Imitáció és ellenpont Gregor Joseph Werner oratórium-áriáiban. Magyar Zene, 35(2), 118–160.

Fukač, J. (1959). Křižovnický hudební inventář (Příspěvek k poznání křižovnické hudební kultury a jejího místa v hudebním životě Prahy) (PhD thesis). Masarykova univerzita, Brno.

Hansell, S. H. (1968). Works for solo voice of Johann Adolph Hasse (1699–1783). Detroit: Information Coordinators, Inc.

Hárich, J. (1932). Werner Gergely József müveinek tématikus katalógusa. Typescript, A-Wgm 14801/102.

Hárich, J. (1959). Esterházy-Musikgeschichte im Spiegel der zeitgenössischen Textbücher (Burgenländische Forschungen 39). Eisenstadt: Burgenländisches Landesarchiv.

Hárich, J. (1975). Inventare der Esterházy-Hofmusikkapelle in Eisenstadt. Haydn-Jahrbuch, 9, 5–125.

Harman, R. A. (1968). A catalogue of the printed music and books on music in Durham cathedral library. London: Oxford University Press.

Herzogenburg inventory. (1751). CATALOGUS Selectiorum Musicalium Chori Ducumburgensis quibus accedunt Instrumenta musica, Diarium Cantus Figuralis, aliarumque functionum Musicae totius Anni e Index Generalis Catalogi Conscripti Anno 1751. Manuscript, A-H Ms 491. Retrieved from https://manuscripta.at/diglit/AT3600-491/0001

Herzogenburg inventory. (1774). CATALOGUS Selectiorum Musicalium Chori Ducumburgensis quibus accedunt Instrumenta musica in fine. Manuscript, A-H Ms 492. Retrieved from https://manuscripta.at/diglit/AT3600-492/0001

Hoboken, A. van. (1957). Joseph Haydn. Thematisch-bibliographisches Werkverzeichnis. Mainz: B. Schott’s Söhne.

Hochradner, T. (2016). Thematisches Verzeichnis der Werke von Johann Joseph Fux (?1660–1741). Band 1. Wien: Hollitzer.

Horváth, V., & Holubicová, H. (1971). Cirkevný hudobný spolok v Bratislave 1830-1950 (Inventáre a katalógy fondov okresných archívov na Slovensku 22). Bratislava: Slovenská archivna správa.

Jones, D. W. (1996). Haydn’s Missa sunt bona mixta malis and the a capella tradition. In D. W. Jones (Ed.), Music in eighteenth-century Austria (pp. 89–111). Cambridge: Cambridge University Press.

Kiesewetter, R. G. (1847). Catalog der Sammlung alter Musik des k. k. Hofrathes Raphael Georg Kiesewetter Edlen von Wiesenbrunn in Wien. Wien: P. P. Mechitharisten.

Kim-Szacsvai, K. (1998). Dokumente über das Musikleben der Jesuiten. Instrumenten- und Musikalienverzeichnisse zur Zeit der Auflösungen. Studia Musicologica Academiae Scientiarum Hungaricae, 39(2/4), 283–366. https://doi.org/10.2307/902542

Kim-Szacsvai, K. (2022). Der Esterházy-Hof in Eisenstadt als regionales Zentrum. In Slovenské národné múzeum – Hudobné múzeum (Ed.), Vplyv šľachtických rodov na európske kultúrne dedičstvo (The influence of noble families on European culture and heritage) (pp. 48–56). Bratislava: Slovenské národné múzeum – Hudobné múzeum.

Klosterneuburg inventory B. (1831). Manuscript, A-KN. Retrieved from https://db.klostermusiksammlungen.at/catalogs/9. Cited after Preisl (2022).

Klosterneuburg inventory C. (1815). Manuscript, A-Wgm 788/18. Cited after Preisl (2022).

Lindner, A., & Petermayr, K. (2010). Die historischen Musikalien der Bruckner-Stätten. Band 1: Die Pfarre Kronstorf (Veröffentlichungen des rism-österreich, Reihe A, Band 13). Wien: Verlag Der Apfel.

Maillard, J.-C. (1999). Bibliothéque musicale des Ducs d’Aiguillon. Agen: Archives départementales de Lot-et-Garonne.

Mayer, J. L. (2020). „Wie das Jahr vergeht“. Beobachtungen und Schlussfolgerungen zu Gregor Joseph Werners „Neuem und sehr curios-musikalischem Instrumental-Calender“ von 1748. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 279–303). Eisenstadt: Amt der Burgenländischen Landesregierung.

Meyer, W. (2020). Gregor Joseph Werner – Seine Beziehungen zur Stadt Eisenstadt und zu seinem persönlichen Umfeld. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 75–91). Eisenstadt: Amt der Burgenländischen Landesregierung.

Mitterschiffthaler, K. (1979). Das Notenarchiv der Musiksammlung im Zisterzienserstift Wilhering (Tabulae Musicae Austriacae Band IX). Wien: Verlag der Österreichischen Akademie der Wissenschaften.

Moder, R. (1985). Gregor Joseph Werner. Ein echt österreichisches Komponistenschicksal. Singende Kirche, 32(5), 159–161.

Motnik, M. (2009). Jacob Handl-Gallus. Werk und Überlieferung (PhD thesis). Universität Wien, Universität für Musik und darstellende Kunst Wien.

Müller, W. (1911). Johann Adolf Hasse als Kirchenkomponist. Ein Beitrag zur Geschichte der neapolitanischen Kirchenmusik. Mit thematischem Katalog der liturgischen Kirchenmusik J. A. Hasse’s. Leipzig: Breitkopf & Härtel.

Narkmun, K. (Ed.). (2024a). Ave Regina á 4 [Score]. Graz: Universität für Musik und darstellende Kunst Graz. Retrieved from https://imslp.org/wiki/Ave_Regina_caelorum_(Werner%2C_Gregor_Joseph)

Narkmun, K. (2024b). Generalbassaussetzungen von Karl Zagitz (1802–1879) (Master’s thesis). Universität für Musik und darstellende Kunst Graz.

Narkmun, K. (Ed.). (2024c). Lytanie Brevissima in F-Dur [Score]. Graz: Universität für Musik und darstellende Kunst Graz.

Narkmun, K. (Ed.). (2024d). Sub tuum in g-Moll [Score]. Graz: Universität für Musik und darstellende Kunst Graz.

Neuhuber, C. (2020). Werners Werke in Mundart. Weihnachtspastorellen – Der Wiennerische Tändlmarckt – Die Bauren-Richters-Wahl. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 345–388). Eisenstadt: Amt der Burgenländischen Landesregierung.

Neumayr, E., & Laubhold, L. E. (2018). Dommusikarchiv Salzburg (A-Sd). Thematischer Katalog der musikalischen Quellen, Reihe A (Schriftenreihe des Archivs der Erzdiözese Salzburg 17). Wien: Hollitzer.

Paczkowski, S. (2019). The Polish-Saxon episode in the life of Gregor Joseph Werner. Eighteenth-Century Music, 16(2), 155–165. https://doi.org/10.1017/S1478570619000198

Paparozzi, S. (Ed.). (2021). Neuer und sehr curios-Musicalischer Instrumental-Calender [Score]. Retrieved from https://imslp.org/wiki/Neuer_und_sehr_curios-_Musicalischer_Instrumental-Calender_(Werner%2C_Gregor_Joseph)

Pausch, O. (1975). Die Herkunft Gregor Joseph Werners. Mit einer Studie über musiktheoretische Lehrbücher aus dem Besitz des Meisters (Veröffentlichungen der Kommission für Musikforschung 17). Wien: Verlag der Österreichischen Akademie der Wissenschaften.

Pernerstorfer, M. J. (2020). Das geliebte Myrhen=Büschlein. Von Paul I. Esterházy und dem Eisenstädter Kalvarienberg zu den Karfreitagsoratorien des Gregor Joseph Werner. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 389–440). Eisenstadt: Amt der Burgenländischen Landesregierung.

Perutková, J. (2022). Klosterneuburger Librettodrucke aus dem 18. Jahrhundert – neu bewertet. Musicologica Brunensia, 57(2), 5–27. https://doi.org/10.5817/MB2022-2-1

Petermayr, K. (2015). Gregor Joseph Werners Advent- und Weihnachtskompositionen. In C. Neuhuber & E. Zehetner (Eds.), Bairisch-österreichischer Dialekt in Literatur und Musik 1650–1900 (pp. 175–191). Graz–Wien: Leykam.

Petermayr, K. (2020). Die Sinfonien von Gregor Joseph Werner. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 441–464). Eisenstadt: Amt der Burgenländischen Landesregierung.

Petermayr, K. (2022). Gregor Joseph Werners weltliche Instrumentalmusik mit Traversflöte – Quellenkritische Untersuchungen. In K. Aringer & B. Raine (Eds.), Zur Musik in Österreich von 1564 bis 1740 (pp. 285–298). Graz–Wien: Leykam.

Pohl, C. F. (1875). Joseph Haydn (Vol. 1). Leipzig: Breitkopf & Härtel.

Preisl, S. (2022). Die Inventare des Musikarchivs im Stift Klosterneuburg. Studien Zur Musukwissenschaft, 61, 73–120.

Prominczel, J. P. (2012). Die Kirchenmusik von Marc’Antonio Ziani. Quellen – Analyse – Werkverzeichnis (PhD thesis, Universität Wien). Universität Wien. Retrieved from https://utheses.univie.ac.at/detail/16811

Radant, E. (1982). A thematic catalogue of the Esterházy Archives (c. 1801–5). Haydn-Jahrbuch, 13, 180–212.

Reichert, G. (1935). Zur Geschichte der Wiener Messenkomposition in der ersten Hälfte des 18. Jahrhunderts (PhD thesis). Universität Wien.

Rempe, B., & Richter, A. (1991). Gregor Joseph Werner. In W. Konold & E. Reisinger (Eds.), Lexikon Orchestermusik Barock S–Z (pp. 762–767). Mainz: Schott.

Rheinfurth, H. (1977). Der Musikverlag Lotter in Augsburg (ca. 1719–1845). Tutzing: Hans Schneider.

Riedel, F. W. (1979). Der Göttweiger thematische Katalog von 1830. Band 1: Faksimile der Originalhandschrift. Band 2: Historisch-quellenkundliche Bemerkungen, Kommentar und Register. München–Salzburg: Katzbichler. Retrieved from https://db.klostermusiksammlungen.at/catalogs/3

Robbins Landon, H. C. (Ed.). (1977). Haydn: Chronicle and works. Volume 5: The late years 1801–1809. Bloomington: Indiana University Press.

Rostetter, S. (2023). Kottatári incipit-jegyzék. Veszprém: Veszprémi Érseki Könyvtár. Retrieved from https://konyvtar.veszpremiersekseg.hu/incipit_jegyzek

Rovátkay, L. (2005). Georg Joseph Werner (1693–1766) G-moll Requiemjének rejtett üzenete: Adalékok a 18. századi bécsi zenei nyelv újravizsgálatához. Magyar Zene, 43(4), 405–433.

Rovátkay, L. (2020). Die verborgene Botschaft des g-moll Requiems von Gregor Joseph Werner (1693–1766). Ein Beitrag zur Schülerschaft Werners bei Antonio Caldara. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 97–131). Eisenstadt: Amt der Burgenländischen Landesregierung.

Sauer, I. (1809). Catalog der hinterbliebenen Joseph Haydnischen Kunstsachen welche lizitando verkaufet werden. Manuscript, A-Wn Mus.Hs.4843. Retrieved from htts://data.onb.ac.at/rec/AC14341534. Cited after Robbins Landon (1977).

Schindler, O. G. (1967/69). Die Libretto-Sammlung des Stiftes Klosterneuburg. In M. Kratochwil (Ed.), Jahrbuch des Vereines für Geschichte der Stadt Wien, Band 23/25 (pp. 183–197). Horn: Verlag Ferdinand Berger & Söhne.

Schlader, E. (2019). Chalumeaux im Werk Gregor Joseph Werners. Rohrblatt, 34(3), 101–108.

Schlader, E. (2020). Chalumeaux im Werk Gregor Joseph Werners. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 465–482). Eisenstadt: Amt der Burgenländischen Landesregierung.

Schreiner, M. L. (2001). Analyse dreier programmusikalischer und/oder tonmalerischer Werke aus der Zeit des Barock (Master’s thesis). Universität für Musik und darstellende Kunst Wien.

Schubert, I. (2007). Musikalienbestände im Institut für Musikwissenschaft der Universität Graz. 2. Teil (Tabulae Musicae Austriacae Band XVI). Wien: Verlag der Österreichischen Akademie der Wissenschaften.

Sherman, C. H. (2001). The Lambach Thematic Catalogue (1768). A Facsimile Edition with Annotations and Commentary. Hillsdale, NY: Pendragon Press.

Škulj, E. (1992). Gallusov Katalog: Seznam Gallusovih skladb. Ljubljana: Dodatek.

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Štefan, J. (1985). Ecclesia Metropolitana Pragensis Catalogus Collectionis Operum Artis Musicae. Pars Secunda: Auctorum Nominibus Signata Opera Manu Scripta L–Z. Praha: Supraphon.

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Straková, T. (1963). Brtnický hudební inventář. Časopis Moravského Musea, 48, 199–234.

Straková, T. (1965). Das Musikalieninventar Von Pirnitz (Brtnice). Sborník Prací Filozofické Fakulty Brněnské Univerzity. F, Řada Uměnovědná, 14(F9), 279–287.

Tank, U. (1981). Studien zur Esterházyschen Hofmusik von etwa 1620 bis 1790. Regensburg: Gustav Bosse Verlag.

Walter, H. (1976). Das Posthornsignal bei Haydn und anderen Komponisten des 18. Jahrhunderts. In G. Feder (Ed.), Haydn-Studien Band IV (pp. 21–34). München: G. Henle Verlag.

Warner, C. J. (1965a). A study of selected works of Gregor Joseph Werner (1695?–1766) (PhD thesis). The Catholic University of America.

Warner, C. J. (Ed.). (1965b). Te Deum laudamus in C [Score]. Washington, DC: The Catholic University of America.

Weinmann, A. (1978). Vollständiges Verlagsverzeichnis Artaria & Comp. (2nd ed.). Wien: Musikverlag Ludwig Krenn.

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Winkler-Klement, S. (2013). Die Werke Gregor Joseph Werners im Eisenstädter Domarchiv und im Burgenländischen Landesmuseum (Master’s thesis). Universität Wien.

Winkler-Klement, S. (2020). Gregor Joseph Werners Oratorien und Messen – Zwei Beiträge zum Werner-Werkverzeichnis. In M. Czernin (Ed.), Gregor Joseph Werner (1693–1766). Aspekte seines Lebens (pp. 483–498). Eisenstadt: Amt der Burgenländischen Landesregierung.

Zelenka, J. D. (1739). Inventarium rerum Musicarum Variorum Authorum Ecclesia Servientium. Manuscript, D-Dl Bibl.Arch.III.Hb,Vol.787.d.